久久精品国产99久久久,国产精品精品久久久久久甜蜜软件,国产精品久久久久久久久久,九九热在线免费观看视频,久久久久久久99精品免费观看,国产美女网,久久9精品

給影片評分:
  • 很差
  • 較差
  • 還行
  • 推薦
  • 力薦
還行

沒有和解

  • Heinrich Hargesheimer Carlheinz Hargesheimer Martha Staendner 達尼埃爾·于伊耶 Henning
  • 120分鐘
  • The subtitle of Jean-Marie Straub and Danièle Huil… The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich B?ll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert F?hmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation F?hmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.

同主演

沒有和解評論

  • 評論加載中...
?
?
呼伦贝尔市| 哈巴河县| 奉新县| 安陆市| 博湖县| 肇州县| 万州区| 礼泉县| 孟村| 辛集市| 临猗县| 历史| 财经| 栾川县| 清流县| 丹阳市| 巢湖市| 孝义市| 沽源县| 定结县| 江陵县| 临安市| 奎屯市| 巩义市| 库伦旗| 蓬安县| 阿鲁科尔沁旗| 达拉特旗| 武胜县| 丹东市| 新密市| 赫章县| 西华县| 玉龙| 泉州市| 封开县| 玛纳斯县| 五寨县| 开鲁县| 搜索| 彰化市|